Category Archives: New York Live Arts

Kyle Abraham on “Another Night,” His New Work for Alvin Ailey American Dance Theater

Be sure to read my interview with Kyle Abraham for The Brooklyn Rail. In it, Abraham — an exceedingly busy choreographer — discusses Another Night (his new work for Alvin Ailey American Dance Theater), his two-year residency at New York Live … Continue reading

Posted in Alvin Ailey, Contemporary Dance, Interviews, New York Live Arts, Postmodern Dance | Tagged , , , , , , , , , , | 4 Comments

Year in Review: The Top 10 Dance Moments of 2011

This was only my second year watching dance, but it was a productive and deeply satisfying one: I’ve logged 112 performances (with three more scheduled) and have watched more than a few dance films. Here, in my last post of … Continue reading

Posted in American Ballet Theatre, Ballet, BAM, Contemporary Dance, Film, George Balanchine, Joyce Theater, Mark Morris, Martha Graham, Merce Cunningham, Modern Dance, New York City Ballet, New York City Center, New York Live Arts, Postmodern Dance | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Contraction & Release 101: Richard Move and MoveOpolis! Channel Martha Graham at New York Live Arts

I’ve read Agnes de Mille’s biography of Martha Graham and seen four of Graham’s works performed by her company, but nothing has taught me more about the mother of American modern dance than Richard Move’s summoning of her at New … Continue reading

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Fighting Love, Time, and Self: Bill T. Jones/Arnie Zane Dance Company in the Retrospective Body Against Body

Postmodern choreography can be needlessly baffling. Although the intent sometimes is to confuse or frustrate audiences, it’s too often the case that we simply can’t grasp the message – much less relate to it – without brushing up on dance … Continue reading

Posted in Bill T. Jones, New York Live Arts, Postmodern Dance | Tagged , , , , , , , , , , , , , , | 2 Comments