Tag Archives: Apollo

11 Questions for Seth Orza, Pacific Northwest Ballet Principal Dancer

Posted on February 7, 2013 by Ryan Wenzel

Next week at New York City Center, Pacific Northwest Ballet performs a triple-bill of Balanchine masterpieces as well as Jean-Christophe Maillot’s evening-length production Roméo et Juliette, marking the full company’s first performances in New York since 1996. Seth Orza, who … Continue reading →

Posted in Ballet, George Balanchine, Interviews, New York City Center | Tagged Apollo, ballet, Emerald Inn, George Balanchine, Jean-Christophe Maillot, New York City Ballet, New York City Center, Nikolaj Hübb, Nilas Martins, NYCB, Pacific Northwest Ballet, Peter Boal, Peter Martins, PNB, Roméo et Juliette, Romeo and Juliet, Sara Ricard Orza, School of American Ballet, Seth Orza | 2 Comments

Before They Were Masterpieces: 9 Negative Early Reviews of Beloved Balanchine Ballets

Posted on August 10, 2012 by Ryan Wenzel

In his book George Balanchine: The Ballet Maker, Robert Gottlieb notes that esteem for Balanchine has only continued to grow since his death: “As the work of his immediate predecessors and near contemporaries — Fokine, Massine, Nijinska, et al. — … Continue reading →

Posted in Ballet, George Balanchine, New York City Ballet | Tagged Agon, Apollo, Balanchine, City Center, Concerto Barocco, Craig Dodd, Dance Magazine, Dancing Times, Die Neue Zeitung, Doris Hering, Fokine, Georg Zivier, George Balanchine, George Balanchine: The Ballet Maker, Jewels, John Martin, Massine, Nancy Reynolds, New York Herald Tribune, Nijinska, Pravda, Prodigal Son, Repertory in Review, Robert Gottlieb, Serenade, Symphony in C, The Four Temperaments, The New York Times, The Nutcracker, Walter Terry | 6 Comments

Year in Review: The Top 10 Dance Moments of 2011

Posted on December 26, 2011 by Ryan Wenzel

This was only my second year watching dance, but it was a productive and deeply satisfying one: I’ve logged 112 performances (with three more scheduled) and have watched more than a few dance films. Here, in my last post of … Continue reading →

Posted in American Ballet Theatre, Ballet, BAM, Contemporary Dance, Film, George Balanchine, Joyce Theater, Mark Morris, Martha Graham, Merce Cunningham, Modern Dance, New York City Ballet, New York City Center, New York Live Arts, Postmodern Dance | Tagged 3D dance documentary, 92nd Street Y, Agon, Alina Cojocaru, American Balle, Apollo, Balanchine Black & White Week, ballet, Beijing, Black Swan, Café Müller, Chase Finlay, Concerto Barocco, Coppélia, CRWDSPCR, Cunningham Repertory Understudy Group, Cunningham RUGs, Darren Aronofsky, Duets, Eiko & Koma, Episodes, Fall for Dance, Festival Dance, flamenco, George Balanchine, Girl Talk, Girl Walk // All Day, Hubbard Street Dance Chicago, Hummel, Joan Acocella, Joe's Pub, Kontakthof, Le Sacre du Printemps, Legacy Tour, Lincoln Center, Lincoln Center Theater, Maple Leaf Rag, Mariinsky Ballet, Mark Morris, Mark Morris Dance Center, Mark Morris Dance Group, Martha Graham, Martha@...The 1963 Interview, Merce Cunningham, Merce Cunningham Dance Company, Metropolitan Opera House, modern dance, Mostly Mozart Festival, Natalia Osipova, New York City Ballet, New York City Center, New York Live Arts, Noche Flamenca, Ohad Naharin, Out of Doors Festival, Paul Milstein Pool, Pina, Pina in 3D, Pond Way, postmodern dance, Richard Alston, Richard Alston Dance Company, Richard Move, Robert Wilson, Rose Adagio, Roughcut, Royal Ballet of London, Royal Danish Ballet, Snow on the Mesa, Soledad Barrio, Square Dance, Steve Reichless, subway pole dance, tanztheater, Tanztheater Wuppertal, The Four Temperaments, The Sleeping Beauty, Three to Max, Trisha Brown, Trisha Brown Dance Company, Vollmond, Water, Wim Wenders | 4 Comments

Robert Fairchild & Chase Finlay: A Tale of Two Apollos at New York City Ballet

Posted on September 27, 2011 by Ryan Wenzel

Two competing qualities define the title character of George Balanchine’s Apollo: youthfulness and godliness. The ballet is a portrait of a mighty Olympian — the master of light, the sun, and the arts — but it’s an early chapter of … Continue reading →

Posted in Ballet, George Balanchine, Lincoln Center, New York City Ballet | Tagged Apollo, Apollon Musagète, Balachine, Ballets Russes, Chase Finlay, George Balanchine, Igor Stravinsky, Lincoln Center, neoclassical ballet, New York City Ballet, Polyhymnia, Robert Fairchild, Serge Diaghilev, Sterling Hyltin, Tiler Peck | 3 Comments

Chase Finlay: New York City Ballet’s Newest Apollo

Posted on May 9, 2011 by Ryan Wenzel

Apollo is, for many reasons, one of George Balanchine’s most important ballets. For starters, it’s the oldest one that survives, dating from 1928, when a 24-year-old Balanchine was working in Paris for Diaghilev’s Ballets Russes. (Shockingly, it is also his … Continue reading →

Posted in Ballet, George Balanchine, New York City Ballet | Tagged Ana Sophia Scheller, Apollo, ballet, Ballets Russes, Chase Finlay, David Koch Theater, George Balanchine, Igor Stravinsky, Lincoln Center, Nancy Goldner, neoclassical ballet, New York City Ballet, Peter Martins, Robert Fairchild, Serge Diaghilev, Sterling Hyltin, Tiler Peck | 2 Comments

Tag Archives: Apollo

11 Questions for Seth Orza, Pacific Northwest Ballet Principal Dancer

Before They Were Masterpieces: 9 Negative Early Reviews of Beloved Balanchine Ballets

Year in Review: The Top 10 Dance Moments of 2011

Robert Fairchild & Chase Finlay: A Tale of Two Apollos at New York City Ballet

Chase Finlay: New York City Ballet’s Newest Apollo

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