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Tag Archives: Arlene Croce
Catching the End of an Era: Merce Cunningham Dance Company’s Final U.S. Repertory Performances at BAM
The air in New York has been thick with Cunningham nostalgia. Everywhere I go, I hear conversations turn to Merce Cunningham and his dance company. After more than 50 years as a pioneering force in contemporary dance, Merce Cunningham Dance … Continue reading
Posted in BAM, Contemporary Dance, Merce Cunningham, Modern Dance
Tagged Andrea Weber, Andy Warhol, Arlene Croce, BAM, BIPED, Brandon Collwes, Brian Eno, Brooklyn Academy of Music, chance operations, Cheap Imitation, contemporary dance, Daniel Madoff, Erik Satie, Finnegans Wake, Gavin Bryars, George Balanchine, Irish dancing, James Hall, James Joyce, Jennifer Goggans, John Cage, Joyce Theater, Krista Nelson, Lincoln Center, Mark Morris, Martha Graham, Melissa Toogood, Merce Cunningham, Merce Cunningham Dance Company, Merce Fair, modern dance, motion-capture animation, Mylar balloons, Pond Way, Quartet, RainForest, Rashaun Mitchell, Roaratorio, Robert Swinston, Second Hand, Silas Riener, Socrate, Socrates, Split Sides, Suzanne Gallo, The New Yorker
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Timeless Tragedy: The Royal Danish Ballet Brings August Bournonville’s La Sylphide to Lincoln Center
For all the talk of them being the happiest of dancers, the Danes seem oddly at home in tragedy. It was impossible not to notice how markedly downbeat the Royal Danish Ballet’s program was on Friday. We again saw The … Continue reading
Posted in August Bournonville, Ballet, Royal Danish Ballet
Tagged Arlene Croce, August Bournonville, ballet, David Koch Theater, Denmark, Flemming Flindt, Gudrun Bojesen, kilts, La Sylphide, Lincoln Center, mime, Royal Danish Ballet, Scotland, Sorella Englund, sylph, The Lesson, Ulrik Birkjær
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Jewels: A Balanchine Celebration of Music, Style, & Women
Jewels, a plotless 1967 triptych by George Balanchine, can be approached in a number of satisfying ways. Some consider it a kind of ballet world tour, an homage to three national forms of classical dance: The romanticism and thick nostalgia … Continue reading
Posted in Ballet, George Balanchine, New York City Ballet
Tagged Abi Stafford, Antonio Carmena, Arlene Croce, Ashley Bouder, ballet, Charles Askegaard, classicism, David Koch Theater, Diamonds, Emeralds, Gabriel Faure, George Balanchine, Gonzalo Garcia, Igor Stravinsky, Jenifer Ringer, Jewels, Joaquin de Luz, Lincoln Center, Maria Kowroski, Marius Petipa, Megan Fairchild, neoclassical ballet, New York City Ballet, Peter Tchaikovsky, Rubies, Sara Mearns, Savannah Lowery, Teresa Reichlen, Tiler Peck, Tyler Angle, Wendy Whelan, women
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