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Tag Archives: Concerto Barocco
10 Mesmerizing Animated GIFs of Balanchine Ballets
Animated GIFs have long been an easy way for bloggers to capture and share exciting and humorous moments in television, movies, and sports, and it was only a matter of time before ballet fans followed suit. Below, in perhaps my … Continue reading →
Posted in Ballet, George Balanchine
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Tagged Agon, animated ballet GIFs, animated GIFs, Balanchine, ballet GIFs, Ballo della Regina, Concerto Barocco, Diamonds, George Balanchine, GIFs, Rubies, Stravinsky, Suzanne Farrell, The Four Temperaments, Tumblr
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Les Ballets Trockadero de Monte Carlo at the Joyce Theater (Review for DanceTabs)
Head to DanceTabs to read my review of Les Ballets Trockadero de Monte Carlo at the Joyce Theater. It was my first time seeing the beloved all-male company, famous for performing in drag and on point, and most of the … Continue reading →
Posted in Ballet, Joyce Theater
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Tagged Anna Pavlova, ballet, Black Swan Pas de Deux, Carlos Hopuy, Chase Johnsey, Concerto Barocco, drag ballet, George Balanchine, Go For Barocco, Ida Nevasayneva, Innokenti Smoktumuchsky, Joyce Theater, Laurencia, Les Ballets Trockadero de Monte Carlo, Marina Plezegetovstageskaya, Michel Fokine, Olga Supphozova, Paul Ghiselin, Pepe Dufka, Petipa, Program A, Raffaele Morra, Robert Carter, Robert Forleo, Swan Lake, The Dying Swan, Trocks, Vakhtang Chabukiani, Yakatarina Verbosovich
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Before They Were Masterpieces: 9 Negative Early Reviews of Beloved Balanchine Ballets
In his book George Balanchine: The Ballet Maker, Robert Gottlieb notes that esteem for Balanchine has only continued to grow since his death: “As the work of his immediate predecessors and near contemporaries — Fokine, Massine, Nijinska, et al. — … Continue reading →
Posted in Ballet, George Balanchine, New York City Ballet
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Tagged Agon, Apollo, Balanchine, City Center, Concerto Barocco, Craig Dodd, Dance Magazine, Dancing Times, Die Neue Zeitung, Doris Hering, Fokine, Georg Zivier, George Balanchine, George Balanchine: The Ballet Maker, Jewels, John Martin, Massine, Nancy Reynolds, New York Herald Tribune, Nijinska, Pravda, Prodigal Son, Repertory in Review, Robert Gottlieb, Serenade, Symphony in C, The Four Temperaments, The New York Times, The Nutcracker, Walter Terry
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6 Comments
Contrasting but Complementary Styles: New York City Ballet Shows Differences Between Robbins & Balanchine
New York City Ballet’s greatest strengths are the size and richness of its repertory, and for that it has George Balanchine and Jerome Robbins, its two founding choreographers, to thank. For years, the two men worked side by side in … Continue reading →
Posted in Ballet, George Balanchine, Lincoln Center, New York City Ballet
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Tagged American Ballet Caravan, Ana Sophia Scheller, Andrew Veyette, Bach, Balanchine style, ballet music, Broadway, Chopin, Concerto Barocco, Concerto in D for String Orchestra, Concerto in D Minor for Two Violins, Concerto in G Major, Conrad Ludlow, Following Balanchine, French Riviera, George Balanchine, Gershwin, Gonzalo Garcia, In the Night, Jared Angle, Jerome Robbins, Johann Sebastian Bach, Kyra Nichols, Maria Kowroski, musicality, New York City Ballet, New York City Ballet spring 2012 season, on-stage demonstration, Peter Martins, Ravel, Robbins style, Robert Fairchild, Robert Garis, Sara Mearns, Sebastien Markovici, Sterling Hyltin, Stravinsky, Teresa Reichlen, The Cage, Tschiakovsky Pas de Deux, Tyler Angle, Violette Verdy, Wendy Whelan
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Three More by Balanchine: New York City Ballet Dances Concerto Barocco, Tarantella, and The Firebird
Concerto Barocco was the reason I fell in love with dance. One evening in April 2010, I was paying just my second visit to New York City Ballet, and Barocco — a 1941 work by George Balanchine, debuted by his … Continue reading →
Posted in Ballet, George Balanchine, Lincoln Center, New York City Ballet, Stravinsky
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Tagged Agon, American Ballet Caravan, August Bournonville, Bach, Ballets Russes, Concerto Barocco, Concerto in D Minor for Two Violins, George Balanchine, Igor Stavinsky, Jerome Robbins, Joaquin de Luz, Justin Peck, Marc Chagall, Maria Kowroski, Megan Fairchild, Michel Fokine, Napoli, New York City Ballet, Sara Mearns, Stravinsky Violin Concerto, Tarantella, Teresa Reichlen, The Firebird
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