Tag Archives: Giselle

Romanticism, Balanchine Style: Two Tchaikovsky Triple-Bills at New York City Ballet

Serenade, the first ballet George Balanchine made in America, is different every time I see it. It’s a shape-shifter, not only because its geometry is constantly in flux but also because it combines styles. At one performance, I might focus … Continue reading

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The Paris Opera Ballet at the Lincoln Center Festival (Review for The Brooklyn Rail)

Check out the September issue of The Brooklyn Rail to read my review of the Paris Opera Ballet’s recent season at Lincoln Center. The company danced three programs: a triple-bill of pieces by 20th-century French choreographers, the Romantic classic Giselle, … Continue reading

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Two Takes on Shakespeare: Balanchine’s ‘A Midsummer Night’s Dream’ & Frederick Ashton’s ‘The Dream’

Balletomanes, an argumentative bunch, are always making judgments by way of comparison. They might debate whether George Balanchine’s or Michel Fokine’s is the better Firebird, whether Gillian Murphy or Sara Mearns is New York’s best Odette/Odile in Swan Lake, or … Continue reading

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Romanticism Revealed: Some Belated Thoughts on Alina Cojocaru & Natalia Osipova in ABT’s “Giselle”

A product of the Romantic Era, Giselle is supposed to be a ballet about uncontrollable passion. Originally choreographed for the Paris Opéra Ballet in 1841 by Jean Corelli and Jules Perrot, and set to a score by Adolphe Adam, the … Continue reading

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Limitless Potential & Empty Flash: Ballet Nacional de Cuba Performs the Classics at BAM

Before their season at the Brooklyn Academy of Music last week, the Ballet Nacional de Cuba hadn’t performed in New York for eight years. Lengthy absences aren’t uncommon with foreign companies (the Danes return this week after 23 years), but … Continue reading

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