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Catching the End of an Era: Merce Cunningham Dance Company’s Final U.S. Repertory Performances at BAM
The air in New York has been thick with Cunningham nostalgia. Everywhere I go, I hear conversations turn to Merce Cunningham and his dance company. After more than 50 years as a pioneering force in contemporary dance, Merce Cunningham Dance … Continue reading
Posted in BAM, Contemporary Dance, Merce Cunningham, Modern Dance
Tagged Andrea Weber, Andy Warhol, Arlene Croce, BAM, BIPED, Brandon Collwes, Brian Eno, Brooklyn Academy of Music, chance operations, Cheap Imitation, contemporary dance, Daniel Madoff, Erik Satie, Finnegans Wake, Gavin Bryars, George Balanchine, Irish dancing, James Hall, James Joyce, Jennifer Goggans, John Cage, Joyce Theater, Krista Nelson, Lincoln Center, Mark Morris, Martha Graham, Melissa Toogood, Merce Cunningham, Merce Cunningham Dance Company, Merce Fair, modern dance, motion-capture animation, Mylar balloons, Pond Way, Quartet, RainForest, Rashaun Mitchell, Roaratorio, Robert Swinston, Second Hand, Silas Riener, Socrate, Socrates, Split Sides, Suzanne Gallo, The New Yorker
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