Tag Archives: Metropolitan Opera House

Year in Review: The Top 10 Dance Moments of 2011

Posted on December 26, 2011 by Ryan Wenzel

This was only my second year watching dance, but it was a productive and deeply satisfying one: I’ve logged 112 performances (with three more scheduled) and have watched more than a few dance films. Here, in my last post of … Continue reading →

Posted in American Ballet Theatre, Ballet, BAM, Contemporary Dance, Film, George Balanchine, Joyce Theater, Mark Morris, Martha Graham, Merce Cunningham, Modern Dance, New York City Ballet, New York City Center, New York Live Arts, Postmodern Dance | Tagged 3D dance documentary, 92nd Street Y, Agon, Alina Cojocaru, American Balle, Apollo, Balanchine Black & White Week, ballet, Beijing, Black Swan, Café Müller, Chase Finlay, Concerto Barocco, Coppélia, CRWDSPCR, Cunningham Repertory Understudy Group, Cunningham RUGs, Darren Aronofsky, Duets, Eiko & Koma, Episodes, Fall for Dance, Festival Dance, flamenco, George Balanchine, Girl Talk, Girl Walk // All Day, Hubbard Street Dance Chicago, Hummel, Joan Acocella, Joe's Pub, Kontakthof, Le Sacre du Printemps, Legacy Tour, Lincoln Center, Lincoln Center Theater, Maple Leaf Rag, Mariinsky Ballet, Mark Morris, Mark Morris Dance Center, Mark Morris Dance Group, Martha Graham, Martha@...The 1963 Interview, Merce Cunningham, Merce Cunningham Dance Company, Metropolitan Opera House, modern dance, Mostly Mozart Festival, Natalia Osipova, New York City Ballet, New York City Center, New York Live Arts, Noche Flamenca, Ohad Naharin, Out of Doors Festival, Paul Milstein Pool, Pina, Pina in 3D, Pond Way, postmodern dance, Richard Alston, Richard Alston Dance Company, Richard Move, Robert Wilson, Rose Adagio, Roughcut, Royal Ballet of London, Royal Danish Ballet, Snow on the Mesa, Soledad Barrio, Square Dance, Steve Reichless, subway pole dance, tanztheater, Tanztheater Wuppertal, The Four Temperaments, The Sleeping Beauty, Three to Max, Trisha Brown, Trisha Brown Dance Company, Vollmond, Water, Wim Wenders | 4 Comments

Mariinsky Ballet Brings Alexei Ratmansky’s Little Humpbacked Horse to Lincoln Center

Posted on July 13, 2011 by Ryan Wenzel

Due to a bookkeeping error, last month I forgot to attend a performance of the Tony Award-winning play War Horse for which I’d purchased a ticket. It was some consolation yesterday, just yards from the Lincoln Center Theatre, to see … Continue reading →

Posted in Alexei Ratmansky, Ballet, Lincoln Center, Mariinsky Ballet | Tagged Alexei Ratmansky, Arthur Saint-Leon, ballet, firebirds, gypsies, Lincoln Center, Lincoln Center Festival, Lincoln Center Theatre, Mariinsky Ballet, Maxim Isayev, Metropolitan Opera House, Rodion Shchedrin, The Little Humpbacked Horse, Valery Gergiev, Vasily Tkachenko, Viktoria Tereshkina, Vladimir Shkylarov, War Horse | Leave a comment

Soviet Ballet Reclaimed: Alexei Ratmansky’s The Bright Stream at American Ballet Theatre

Posted on June 16, 2011 by Ryan Wenzel

Arlene Croce once remarked she’d never seen a good ballet to the music of Dmitri Shostakovich. Whether she blames the composer or the choreographers is anyone’s guess, but this spring New Yorkers have been treated to two excellent Shostakovich-scored ballets, … Continue reading →

Posted in Alexei Ratmansky, American Ballet Theatre, Ballet | Tagged Alexei Ratmansky, American Ballet Theatre, Arlene Croce, ballet, Christopher Wheeldon, contemporary ballet, David Hallberg, Dmitri Shostakovich, Gillian Murphy, Marcelo Gomes, Martine Van Hammel, Metropolitan Opera House, Paloma Herrera, The Bright Stream, Victor Barbee | Leave a comment

Tag Archives: Metropolitan Opera House

Year in Review: The Top 10 Dance Moments of 2011

Mariinsky Ballet Brings Alexei Ratmansky’s Little Humpbacked Horse to Lincoln Center

Soviet Ballet Reclaimed: Alexei Ratmansky’s The Bright Stream at American Ballet Theatre

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