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Tag Archives: musicality
Contrasting but Complementary Styles: New York City Ballet Shows Differences Between Robbins & Balanchine
New York City Ballet’s greatest strengths are the size and richness of its repertory, and for that it has George Balanchine and Jerome Robbins, its two founding choreographers, to thank. For years, the two men worked side by side in … Continue reading →
Posted in Ballet, New York City Ballet, George Balanchine, Lincoln Center
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Tagged New York City Ballet, George Balanchine, Robert Fairchild, Sterling Hyltin, Sara Mearns, Gonzalo Garcia, Teresa Reichlen, Wendy Whelan, Maria Kowroski, Tyler Angle, Ana Sophia Scheller, Peter Martins, Bach, Johann Sebastian Bach, Stravinsky, Jerome Robbins, Broadway, Kyra Nichols, Concerto Barocco, Ravel, Andrew Veyette, Chopin, American Ballet Caravan, Concerto in D Minor for Two Violins, Robbins style, Balanchine style, musicality, ballet music, French Riviera, Gershwin, Concerto in G Major, The Cage, Robert Garis, Following Balanchine, Concerto in D for String Orchestra, Violette Verdy, Conrad Ludlow, Tschiakovsky Pas de Deux, In the Night, Sebastien Markovici, New York City Ballet spring 2012 season, Jared Angle, on-stage demonstration
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