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Tag Archives: Royal Ballet of London
Year in Review: The Top 10 Dance Moments of 2011
This was only my second year watching dance, but it was a productive and deeply satisfying one: I’ve logged 112 performances (with three more scheduled) and have watched more than a few dance films. Here, in my last post of … Continue reading →
Posted in American Ballet Theatre, Ballet, BAM, Contemporary Dance, Film, George Balanchine, Joyce Theater, Mark Morris, Martha Graham, Merce Cunningham, Modern Dance, New York City Ballet, New York City Center, New York Live Arts, Postmodern Dance
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Tagged 3D dance documentary, 92nd Street Y, Agon, Alina Cojocaru, American Balle, Apollo, Balanchine Black & White Week, ballet, Beijing, Black Swan, Café Müller, Chase Finlay, Concerto Barocco, Coppélia, CRWDSPCR, Cunningham Repertory Understudy Group, Cunningham RUGs, Darren Aronofsky, Duets, Eiko & Koma, Episodes, Fall for Dance, Festival Dance, flamenco, George Balanchine, Girl Talk, Girl Walk // All Day, Hubbard Street Dance Chicago, Hummel, Joan Acocella, Joe's Pub, Kontakthof, Le Sacre du Printemps, Legacy Tour, Lincoln Center, Lincoln Center Theater, Maple Leaf Rag, Mariinsky Ballet, Mark Morris, Mark Morris Dance Center, Mark Morris Dance Group, Martha Graham, Martha@...The 1963 Interview, Merce Cunningham, Merce Cunningham Dance Company, Metropolitan Opera House, modern dance, Mostly Mozart Festival, Natalia Osipova, New York City Ballet, New York City Center, New York Live Arts, Noche Flamenca, Ohad Naharin, Out of Doors Festival, Paul Milstein Pool, Pina, Pina in 3D, Pond Way, postmodern dance, Richard Alston, Richard Alston Dance Company, Richard Move, Robert Wilson, Rose Adagio, Roughcut, Royal Ballet of London, Royal Danish Ballet, Snow on the Mesa, Soledad Barrio, Square Dance, Steve Reichless, subway pole dance, tanztheater, Tanztheater Wuppertal, The Four Temperaments, The Sleeping Beauty, Three to Max, Trisha Brown, Trisha Brown Dance Company, Vollmond, Water, Wim Wenders
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